Structures·8 beats
Story structure

Three-Act Structure

Three-act is the default load-bearing wall of Western drama. Setup, Confrontation, Resolution — with Inciting Incident, First Act Turn, Midpoint, All Is Lost, and Second Act Turn as the pivots in between. Learn this one first.

Who it's for

Every feature, every hour-long drama pilot, most short films. The structure everything else modifies. If someone asks you to pitch a story and you only have one structure memorized, make it this one.

The beats

  1. 1
    Act 1: Setup

    Introduce characters, world, and the central conflict.

  2. 2
    Inciting Incident

    The event that sets the story in motion.

  3. 3
    First Act Turn

    The protagonist commits to the journey, ending Act 1.

  4. 4
    Act 2: Confrontation

    Rising action as the protagonist pursues their goal.

  5. 5
    Midpoint

    A major revelation or reversal that raises the stakes.

  6. 6
    All Is Lost

    The protagonist hits rock bottom.

  7. 7
    Second Act Turn

    New information propels the story into the final act.

  8. 8
    Act 3: Resolution

    The climax and resolution of the story.

How to use it

Write three sentences: one for Act 1 (who, world, disturbance), one for Act 2 (what the protagonist tries, how they fail at the midpoint, how they recommit), one for Act 3 (the final test and its cost). If those three sentences are boring, the screenplay will be boring.

Example

Mapped to
Die Hard (1988)

Act 1 — John McClane arrives at Nakatomi Plaza; Hans takes the building (Inciting Incident); McClane commits to fight alone (First Act Turn). Act 2 — cat-and-mouse through the building; McClane learns Hans only wants the money, not hostages (Midpoint); McClane is wounded and cornered (All Is Lost); he reaches the roof (Second Act Turn). Act 3 — the rooftop sequence, the final showdown, Holly reunited.

Common pitfalls

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